When the narrator accompanies her social group of whites to the native village, the natives practically fall down in adoration of their skin, clothes, shoes and hair. The natives really are depicted as savages: "they cut into pieces all they could take, getting into houses and hanging up the mother and all her children about her" (54). Oroonoko also will die for his belief in freedom.īehn's presentation of the natives and cololonists is mixed, and despite the model of the noble savage, she fully embraces the innate superiority of European people and European culture. The African prince Oroonoko is a model of nobility and honor, a magnificent physical powerhouse capable of killing two tigers that the whites could not kill. Morally, they are far better than the European slave traders, who also lie (although the vast majority of Europeans were not slave traders). They have basic survival skills which are lost by advanced technological societies they can climb trees and fish for food. The native people are portrayed as having basic human virtues such as creative artistry ("beads of all colors, knives, axes, pins and needles") and modesty ("very modest and shy and despite living practically naked, there is never seen among them any improper or indecent behavior," 2). Their native innocence is set against the corruption of civilization which is identified, in this work, with Europeans (1). Buy Study Guide European or Native Superiorityīehn depicts the natives of Surinam, with whom the British live, as being in "perfect peace," as innocent as Adam and Eve.
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